Tag Archives: The La’s

Oh, Penny. Where do I start? If you’re going to write a Guardian blog, at least get a few things right…

For a start – ‘I Am The Resurrection’ is 8.13 minutes on my watch…don’t knock off that last second…because, and this is the point, Penny: Every second counts when it comes to The Stone Roses

Secondly – not only do you seem to have no grasp of the importance of Stone Roses’ place and meaning within popular musical culture (are we forgetting that glorious moment in ‘89 on ‘Waterfall’ when rhythm and guitars were brought spectacularly back together again after years of existing solitarily apart), but now you’ve gone and brought in the whole chromsome debate again. I thought we’d cleared this up a few blogs ago!

For the record: I am a girl. I adore The Stone Roses…and for me, their debut is up there with The La’s (probably another debut Guardian writer Penny Anderson deems ‘overrated’ yet is as perfect a debut as any band is ever likely to get.)

Lumping The Stone Roses stodgily as a “lad’s band” offers nothing in the way of an active explanation. Because they attract a largely male audience, does that void them of significance? If so, then we might as well throw out The Smiths, Led Zeppelin and AC/DC whilst we’re at it.

Thirdly, are you really suggesting Reni (that’s Reni, Penny, not Rennie. He’s not an indigestion tablet) was merely a drummer to patronisingly pat on the back for simply “loving music”? Get thee to ‘Elephant Stone’ at once.

Let me get back to the question of those 8.13 minutes. 8.13 minutes of undeniable musical prowess by any musician’s standards. Does Neil Young’s ‘Down By The River’ lose any of it’s power because it chugs over 5 minutes? No, because each second is on it’s way to something. ‘I Am The Resurrection’ is always going somewhere. And as John Squire’s guitars jingles and the bass line soars 3/4 of the way through, they finally bring you home. In all sense and purposes, this is a prog-rock song. It’s the ultimate prog-rock song for the throngs of followers who were looking for a band to finally take them back home.

On a more personal note, I remember sending my first love (unrequited, naturally) a Stone Roses CD to his university digs when I was 19. Strapped to the record was a message explaining just what ‘I Am The Resurrection’ meant to me. I recall something along the lines of “and for that 8.13 seconds, let all be well and good with the world.” As if this would unlock his adoration for Ian Brown, and in turn, unleash his love for me. (Naturally it didn’t work. I lapsed into The Smiths soon after).

But that’s the power of a life-changing song. I felt the same way when I heard Love’s ‘Alone Again Or’ all those years ago, or when my mate Kev turned me onto the wonders of XTC one random Saturday afternoon. When you feel like a song was written for you, and only you – that’s the mark of a true life-changing song.

The Stone Roses wrote life-changing songs. They deserve to be celebrated. Long may they reign. Bring on that re-issue!

So…I managed to piss a hell of a lot of people off with a Black Keys album review I wrote in NME last week.

Hands up – I had no idea that giving it 5/10 would cause such grief. I even went down to church this morning, chanted a couple of hail marys and flailed myself with some rosary beads.

Did I really mean the things I said? Yes. Does the entire publishing world really disagree with the things I said? Yes. Do I now take back the things I said? No.

I’ll say it once and I’ll say it again: whilst I applaud their raw magic on the live stage, I really feel that ‘Attack & Release’ is a fairly mainstream contribution to the blues/rock canon. Dangermouse is a tour de force. I salute him on this record, but to be frank, if I’m going to listen to 70s prog rock I’ll whack on some Free.

I find it interesting that the only two slightly critical reviews for this record were by two women. Maybe I’m wrong, but I think it bears some influence on things. Who knows.

What I do know is that I got my Lost La’s ‘Breakloose’ CD in the post today and if you want to hear the sound of true blues with a quietly subtle twist, I suggest you give ‘Night Walk’ a spin. I couldn’t find this on YouTube, but I did find a wicked rendition of ‘Feelin’. Any excuse, eh?