Tag Archives: A Woman A Man Walked By

 

It’s the eve of 2009. Time to make a few predictions in terms of what to look out for next year. I aim to add to this list in the next few weeks, so consider this Part I…first installment…whatever.

Beirut ‘March of the Zapotec’ (February 16)

He sounds like a Hungarian gypsy and he made us all fall in love with 2007’s The Flying Club Cup’. I’ve been waiting for a new record all year, and I’m pleased to say his third is no disappointment. In fact, I’ve just had it on full blast this afternoon. Ingeniously divided into two EPs, the first picks off where Flying Club’ left off, delving into Mexican folk music with the help of a small-town Mexican funeral band (frankly, we wouldn’t expect anything less.) The second, entitled, Holland is a contrasting departure from stereotyped-preconceptions, delving into synth-pop with his own indidual flare. It’s a fantastic follow-up.

DM Stith ‘Heavy Ghost’ (March 9)

Right, I’m very excited about this next one. I didn’t think you could get much better than Antony Hegarty, but David Stith can now count himself officially initiated. This is a mind blowing record. I listened to it all in one sitting with my jaw on the floor. His friendship with My Brightest Diamond may help to describe this debut, but in all honesty, this is one of those cases where words always seem to fall short…So I’m inclined not to ruin this with a botched attempt at a review. Morphined wanderings in a moonlit forest may just get us half way there, but I doubt it. Do me a favour, get your hands on this album in 2009. 

Antony and the Johnsons ‘The Crying Light’ (January 21)

Make this your first record purchase of 2009. Go on, I’ll buy you a mars bar. A king size one. Anyone who knows me will know about my love for Antony Hegarty. In my eyes, he is one of the most original, heartfelt and truly awe-inspiring artists around. This new record is breathtaking. I think I prefer it to I Am A Bird Now’. If you haven’t already discovered Antony and the Johnsons, make this record a must-have.

PJ Harvey ‘A Woman A Man Walked By’ (March 30)

It’s finally here. I’m very excited, Yes, I have heard it. Yes, it is amazing. No, this isn’t the last time I’ll be blogging about it.

 

Who else is excited as I am at the prospect of a spanking new PJ Harvey record?

 

Yes, the daddy-long legged rock ‘n’ roll siren is back…and I for one cannot wait for her return next year.

 

‘A Woman A Man Walked By’ will be released on March 30, in collaboration with John Parish…And having had the divine priviledge to hear the album a few months ago, I can confidently announce that Polly’s latest material is a breathtaking return to form, harking back to her early ‘Dry’ days.

 

For me, PJ Harvey represents everything a female artist should be but rarely ever achieves. Having written a fair few ‘women in rock’ features in my time, I guess my thoughts on Polly our best summed up through some words I wrote a few years ago:

 

“Where Polly Harvey succeeds is in her celebration of female sexuality in a man’s world. When the long-legged Harvey stood on stage in Reading Festival in 2001, skimmed by her tight mini-skirt and suggestive black boots, rocketing out raw thrills on her guitar, an iconic picture was created. The guitar need not be a phallic representation of the male ego: it could be used and manipulated by women to create a different sound. This wasn’t a bid to be accepted or different, it was a display of equal expression. When ‘Is This Love’ kicks in on ‘Stories From The City…’ exploding through the speakers with thrashing, grinding guitars, the deep raw expression of unashamed desire punches a mark. It’s opinionated. It’s unapologetic. And it takes no prisoners.”

 

In a current pop-climate stodgily saturated with the likes of Madonna and Katy Perry, her graceful presence has been sorely missed. Roll on 2009.

 

In the meantime, lets enjoy one of my favourite Polly tracks ‘Horses In My Dreams’, with those dreamtalking, dreamwalking lyrics:

 

Rode a horse around the world
Along the tracks of a train
Broke the record, found the gold
Set myself free again

I have pulled myself clear